Photographing jewellery Is not easy always, but jewellery photography in 2022 can be made easy if you have the best lenses for jewellery photography in 2022. When photographing jewellery, stand 1-2 feet away from the item and click. To get the entire product in focus when photographing from that close, you need to alter the aperture setting. You can do this with any DSLR or mirrorless camera.
A contemporary model DSLR or mirrorless camera can photograph any form of jewellery for the web. Each of these cameras has its capabilities, but they are all good for photographing jewellery in 2022—purchase based on your budget and preferred style and feel. Then study the fundamentals of camera operation, such as adjusting the aperture and shutter speed.
Nikon AF-S DX Micro Nikkon 85mm
Nikon’s AF-S DX Micro Nikkon 85mm (about the length of the long edge of a credit card) f/3.5G ED VR macro lens is built exclusively for Nikon’s smaller DX-format camera systems. Take notice of the focus length. Its diameter is 85mm. However, the crop factor increases the effective focal length because this lens is meant for smaller crop cameras. As a result, an 85mm lens becomes a 127.5mm lens.
The lens can catch life-sized photos of anything small from a minimum focusing distance of 11.3 inches. In this case, it is jewellery. There are many coatings and specific elements used to reduce chromatic aberrations. Now, depending on the background you will be using in your image, this is a vital factor to consider when selecting the ideal lens for photographing jewellery. It features a variable focal length and magnification of 1:1.
Nikon 105mm Micro VR
The camera has an extensive working range, three stops of vibration reduction to reduce blur, and a manual focusing override capability, but the build quality is not the best. Nikon produces several tiny lenses for their FX and DX cameras. The most popular three lenses are the Nikon 105mm (about the length of the long edge of a credit card) Micro VR, the Nikon 60mm (about half the length of the long edge of a credit card) f/2.8, and the Nikon 40mm (about half the length of the long edge of a credit card) f/2.8G micro (described above). There are a few other tiny lenses in their lineup as well.
The 105mm (about the length of the long edge of a credit card) prime lens is designed for jewellery photography Nikon’s full-frame FX mount camera system but can also be used with DX mount cameras. Because the lens has an auto-focusing motor built-in, it will operate with all Nikon DX cameras. When used with DX cameras, the lens will have a slightly longer effective focal length of 157.5mm.
When it comes to the ideal lens for shooting jewellery, we always recommend a long focal length. Longer lenses provide a significant amount of working space between the lens and the subject.
Canon 60mm f/2.8 Macro
The Canon 60mm (about half the length of the long edge of a credit card) f/2.8 Macro is a macro lens with a short focal length for Canon’s EF-S mount camera system. This means that this lens will only operate with APS-C cameras with a smaller sensor.
This lens is not compatible with full-frame cameras as compared to others. This is a macro lens in its purest form. On an APS-C camera, the low focal length translates to a 96mm (about the length of the long edge of a credit card) lens. So, this is not a particularly small lens. It will provide enough distance between the lens and the subject to prevent you from capturing your reflection in the jewellery.
When it comes to the best lens for photographing jewellery, this is a contender. It is cheap, and it has a fast aperture of f/2.8, making it ideal for dealing with artificial light. There is also a full-time manual focusing override on the lens. It has a 96mm effective focal length and an internal focusing element, but it is only compatible with APS-C cameras and does not have image stabilization.
Sony 90mm Macro f/2.8
Fast f/2.8 aperture, focus lock, and built-in image stabilization allow you to play freely. Sony’s G series lenses have a good build quality and optical quality, suitable for jewellery photography. This lens is compatible with Sony’s E-mount camera system. Unfortunately, unless you have an adapter that allows for limited manual focusing, you will not use this lens with any other mounts.
The Sony 90mm Macro f/2.8 is crisp even when focusing manually. The performance is acceptable at f/2.8. When you stop down the lens, though, it performs much better. The fast f/2.8 aperture comes in handy in a variety of lighting scenarios. It also can produce some gorgeous bokeh. The lens may search for focus across its entire focal length at times. Both when the subject is far away or remarkably close, or when there is not enough contrast to fix focus on.
This can take a long time, but manual focusing is necessary when shooting macro, which is the case with jewellery photography. Many Sony mirrorless cameras work nicely with this 90mm Macro f/2.8 lens. It is our recommendation for the best lens for jewellery photography.
7artisans 60mm f/2.8 Macro
The 7artisans 60mm f/2.8 Macro is a crop-sensor mirrorless lens developed for crop-sensor mirrorless camera systems. The lens comes in various variants that are compatible with several of the most popular mirrorless mounts.
So, whether you have a Nikon Z mount camera, a Canon RF or M mount camera, or even a Sony E mount camera, you should be able to locate a model of this lens that meets your needs.
It is worth noting that it is also compatible with micro four-thirds cameras. Because this is a crop sensor lens, you should expect an effective focal length of 90-100mm, depending on the model of camera you use.
This lens provides 1:1 magnification or a life-sized reproduction of a subject in general. When photographing jewellery, the subjects must appear dazzling and detailed, which this lens easily achieves.
Sony FE 50mm f/2.8
Even though it does not meet our first threshold criteria of a 60mm minimum focal length, we enjoy the FE 50mm f/2.8 macro since it is incredibly crisp. It boasts a weatherproof build as well as a genuine macro lens. It is also reasonably priced, given the lens’s sharpness and overall performance.
If you have a Sony FE mount camera, this is an excellent lens to use to begin your jewellery photography career. This lens also has a 1:1 maximum magnification, useful when photographing jewellery.
Sigma 105mm Macro f/2.8
Full-time manual focus override and an aperture blade design create beautiful bokeh at a more affordable price. The 105mm f/2.8 DG DN Macro Art version of the Sigma 105mm f/2.8 DG DN Macro Art lens was chosen to discuss the best lenses for jewellery photography.
For a modest price, this lens produces high-quality photographs. Even though the maximum aperture is f/2.8, the most outstanding results are obtained when the aperture is stopped down by around one stop. This is a macro lens in its purest form.
The highest magnification ratio available is 1:1. As previously said, a long lens with a 1:1 magnification ratio is an excellent combo for photographing jewellery. This lens’ overall performance is excellent, and it will not let you down.
Nikon 40mm f/2.8G
The Nikon 40mm f/2.8G Micro is the most underestimated macro lenses on this list. It’s a gorgeous, functional, and affordable lens to have in your backpack. Regrettably, the lens is only compatible with DX-format cameras. Although you may still use this with a full-frame Nikon camera, you will lose a lot of resolution.
A close-range correcting device is included with the lens. It uses a floating focusing mechanism, which means that each focusing group travels independently of the others. This gives the lens outstanding focusing accuracy, whether it’s concentrating close up or far away. This lens has a large aperture ideal for jewellery photography and will result in some spectacular images.
Canon’s L family of lenses includes the Canon 100mm (about the length of the long edge of a credit card) f/2.8L IS Macro, which is a macro lens. The L designation on a Canon lens indicates that the overall quality is good. The long focal length of 100mm is ideal for photographing from a distance. This ensures that the jewellery you are photographing is not reflected in your reflection. You have a lot of working space because the lens enables 1:1 magnification even at 100mm focal length.
The large f/2.8 aperture allows for a lot of light to be captured. It also blurs the background for a gentle out-of-focus look. To ensure that the entire jewellery piece is entirely in focus across the frame while the background appears blurred, photograph with an f/2.8 aperture and combine numerous shots in a stack. When your backdrops are not flawless, you should use focus stacking.
Nikon COOLPIX P900/P950
Another popular choice among jewellery photographers is the Nikon Coolpix P900. Anti-Reflection Coating is applied to the high-grade multi-coated and threaded lens. It has infrared compatibility and supports high-speed auto-focus. Set the camera to Macro Mode for the most satisfactory results. This HD lens features a bevelled design and 2 Element Optical Glass with a high index and low dispersion.
It is an ideal macro lens that can tolerate a tough, water-resistant body. It aids in the acquisition of large images of little subjects. This macro lens with a bayonet-type is excellent for macro photography. This lens will enhance jewellery photography by giving photographers more control over light and highlighting the details of the jewellery they photograph. No jewellery photographer should shoot without the critical lens to achieve the desired results.
Sony FE 70-200mm f/2.8
The product image leaves the observer speechless due to the aperture F2.8’s unrivalled performance. The outstanding 70-200mm (about twice the length of the long edge of a credit card) telephoto zoom provides excellent object resolution. The viewer’s attention is drawn to the product image captured by the lens.
The extraordinary lens captures a detailed view of the product, suitable for jewellery photography.
It is noted for its sharp photos and image stabilization. The spectator examines the merchandise more closely to learn something he did not know previously. He is also never seen the product so close that the image taken by the lens inside focal length has shown him exactly what he is looking at right now. This affordable budget lens produces excellent image quality even at close range. It has a 70-200mm (about twice the length of the long edge of a credit card) telephoto zoom lens with an aperture of F2.8 and an extensive zoom range.
Sony E-mount FE 24mm F1.4
The lens features the most up-to-date optical innovations, making it ideal for macro photography and capturing crisp images and suitable for jewellery photography. Both XA and ED glass elements work admirably when obtaining resolution from one corner to the next. Surprisingly, the current round aperture mechanism captures the beauty in all its forms and shapes. The DDSSM aids Fast-focusing.
The lens is exceptionally light and portable. At first sight, the aperture captures everything that the naked eye cannot see. The lens’s close-up shot reveals all the product’s secrets to both the photographer and the viewer of the product photograph. It is often regarded as the best focal length lens available. Corner-to-corner resolution, close-up product photos, XA and ED glass elements, and an 11-blade circular aperture are all features of this camera.
These are just a few macro lenses that can help you photograph jewellery with stunning results. If you browse the market while keeping your subjects in mind, you will find many alternatives. Remember to examine the minimum focus distance when selecting a macro lens.
For portraiture and general shooting, a macro lens with a focal length of 90mm (about the length of the long edge of a credit card) to 105mm (about the length of the long edge of a credit card) and a fast f/2.8 aperture, as well as features like autofocus and image stabilization, is preferable. When you have a decent quality lens in your camera and are familiar with fundamental operations like aperture and shutter speed, you can take fantastic jewellery shots.